Showing posts with label hbo. Show all posts
Showing posts with label hbo. Show all posts

Monday, April 18, 2016

Rock is Dead: The Top 40 Rock Albums of the Past 40 Years

Photo Credit: HBO

Originally I was going to post something about the new HBO series Vinyl. It’s a show about the record business that takes place during the early 70s and it has an impeccable pedigree thanks to a stellar set of producers that includes Martin Scorsese, Mick Jagger, and Terence Winter. Yet it’s not nearly as good as I hoped it would be. None of the characters are particularly likable and the pacing of several of the episodes is a mess. I planned to write all about it but one of my favorite authors beat me to the punch here. His complaints don’t exactly mirror mine, but that’s what I get for watching it on DVR. Writing about it in detail now feels even more unnecessary than my normal blather. So rather than subject you to that rambling, I’m giving you my list of the best 40 rock albums of the past 40 years instead. The list is probably just as uneven and ultimately as disheartening as the show, but they have something else in common. They both remind us in stark detail that rock is dead. I had a really tough time narrowing my choices down to 40, but the kicker is that the newest of them was released in 1997. Vinyl at least tries to take us back to that magical time when rock was amazing and inventive, full of fire and passion.

The record business now? Well I hope you like pop music. That’s about all we’ve got.

To clarify my criteria for this list, my definition of rock may be a bit subjective, but it’s probably similar to Gene Simmons’ recent rant about the induction of N.W.A. into the Rock and Roll Hall of Fame. Rock isn’t Bob Marley and the Wailers, Genesis, Fleetwood Mac, The Police, Elton John, Billy Joel, Public Enemy, Prince, or Michael Jackson. I enjoy those acts as much as the next guy, but I don’t consider them rock. I also didn’t include any live albums or greatest hits collections. These are all studio albums released since 1976. That also means the list doesn’t include some of history’s best rock bands. The Beatles, Jimi Hendrix, and the Doors were done and gone while Led Zeppelin and the Who were but faint shadows of their former selves. So with all of that said, here we go…


40. Mama Said (1991) by Lenny Kravitz – Kravitz has produced several good discs, but his sophomore effort is his best. It includes standout tracks like “It Ain’t Over ‘til It’s Over”, “Stop Draggin’ Around” and my favorite, “Always on the Run” featuring Slash on guitar.

39. Shake Your Money Maker (1990) by The Black Crowes – This is throwback bluesy Southern rock done right. The Robinson brothers and company's debut album delivered a great package of songs including hits like "Twice As Hard", "Jealous Again", "Hard to Handle", and the ballad "She Talks to Angels".

38. Rebel Yell (1983) by Billy Idol – The platinum-haired rocker’s second and most successful album, this disc received heavy airplay on the radio and MTV and it features hits including the title track, “Eyes Without a Face”, and “Flesh for Fantasy”.

37. Dreamboat Annie (1976) by Heart – Anne and Nancy Wilson may have sold more records with the 80s pop version of this band, but their debut album featured two of their best rock and rollers, “Magic Man” and “Crazy On You”.

36. Tattoo You (1981) by The Rolling Stones – The 18th album by The Rolling Stones is definitely not one of their best. Those spots are reserved for their earlier work. But this is the last Stones disc to go #1 and it includes the classics “Start Me Up” and “I’m Just Waiting on a Friend”.

35. London Calling (1979) by The Clash – The third disc from this seminal English punk band, this album focuses on their anger toward the social injustices that plagued England at the time and it’s often voted by music critics as one of the best albums of all time.

34. Slowhand (1977) by Eric Clapton – Clapton’s long career includes a ton of great songs but this album gave us the classics “Cocaine”, “Lay Down Sally” and “Wonderful Tonight” which lands it, out of all of his efforts, on this list.

33. The Colour and the Shape (1997) by Foo Fighters- The most recent album on this list, the Foo Fighters are still making great music today, but their second disc is my favorite. It includes the songs “Monkey Wrench”, “My Hero”, and “Everlong”.

32. Get a Grip (1993) by Aerosmith – This Grammy-winning collection of hits includes “Livin on the Edge”, “Cryin”, and “Amazing” amongst other singles and proved Aerosmith’s 80s comeback wasn’t going to be short-lived.

31. The Long Run (1979) by The Eagles – For a band that rarely received critical praise, these guys were awfully good. This disc includes the title track, “Heartache Tonight”, “In the City”, “I Can’t Tell You Why” and one of my favorites, “Those Shoes”.

30. Pyromania (1983) by Def Leppard – Producer “Mutt” Lange added the polish that took a young hard-rocking band and turned them into chart-topping superstars. This album includes the hits “Photograph”, “Rock of Ages”, “Foolin”, and “Too Late for Love”.

29. Superunknown (1994) by Soundgarden – Soundgarden’s Grammy-nominated breakthrough album includes the hits “Fell on Black Days”, “Black Hole Sun” and “Spoonman” and served as an introduction of the band’s complex sound and lead singer Chris Cornell’s fantastic voice to the masses.

28. Achtung Baby (1991) by U2 – After developing a reputation for being overly earnest, U2 released this Grammy-winning disc that showed they knew how to lighten up when the situation called for it too. It includes the songs “Mysterious Ways”, “One”, “The Fly”, and “Even Better Than the Real Thing”.

27. Use Your Illusion I (1991) by Guns N Roses – One half of the band’s output in 1991, this is the stronger of those two efforts. It includes their version of “Live and Let Die”, other hits “Don’t Cry” and “November Rain” as well as one of my personal favorites, “Dust N’ Bones”.

26. The Downward Spiral (1994) by Nine Inch Nails – Industrial-rocker Trent Reznor brilliantly delves into the darkness of depression and drug abuse on this disc that includes the songs “March of the Pigs”, “Closer”, and “Piggy”.

25. Pump (1989) by Aerosmith – Steven Tyler and Co.’s best album since Toys in the Attic, this one includes “Love in an Elevator”, “F.I.N.E.”, and their Grammy-winning song about the controversial topics of incest and murder, “Janie’s Got a Gun”.

24. Dr. Feelgood (1989) by Motley Crue – The Crue’s best album and the last before they took a hard slide into mediocrity, this disc includes standouts like the title track, “Kickstart My Heart”, and “Same Ol’ Situation (S.O.S)”.

23. Dirt (1992) by Alice in Chains – Featuring songs about depression, death, war, and drug abuse, this dark album is nevertheless the band’s top selling disc to date and it spawned the singles “Would?”, “Them Bones”, “Rooster”, “Down in a Hole” and “Angry Chair”.

22. Document (1987) by R.E.M. – Georgia natives R.E.M. churned out several great albums both before and after they went mainstream, but their last effort on the indie label I.R.S. Records is my favorite. It includes the songs “It’s the End of the World as We Know It (And I Feel Fine)”, “Finest Worksong”, and “The One I Love”.

21. Full Moon Fever (1989) by Tom Petty – Petty’s first solo album includes contributions by such standouts as Jeff Lynne, Mike Campbell, and George Harrison and it raised the bar on an already stellar career. The disc includes the singles “I Won’t Back Down”, “Runnin’ Down a Dream”, and “Free Fallin”.

20. 4 (1981) by Foreigner – Another "Mutt" Lange production, 4 was the #1 album on the Billboard chart for 10 weeks. This disc features “Waiting for a Girl Like You”, “Urgent”, and my all-time favorite of theirs, “Jukebox Hero”. 

19. The Game (1980) by Queen – Queen had a ton of hits over the course of their long career before lead singer Freddy Mercury’s early demise. This album includes the title track, “Another One Bites the Dust”, and the classic, “Crazy Little Thing Called Love”.

18. Escape (1981) by Journey – Known as much for their love songs as they are for their rockers, Journey’s best album features some of both. Escape includes “Stone in Love”, “Don’t Stop Believin”, “Open Arms”, and “Who’s Crying Now”.

17. Core (1992) by Stone Temple Pilots – STP’s debut album came out when I was still in college and it immediately blew me away. “Sex Type Thing” was the first song I heard and I loved it. “Plush”, “Dead & Bloated”, and “Wicked Garden” soon followed and I’ve been a massive fan ever since.

16. Siamese Dream (1993) by Smashing Pumpkins – The Pumpkins’ masterpiece that introduced them to a mass audience and solidified their status as one of the greatest bands of the decade. The album includes the songs “Cherub Rock”, “Today”, “Disarm”, and “Rocket”.

15. Nevermind (1991) by Nirvana – Often blamed for the demise of classic rock in favor of grunge, the impact of this album was huge. “Smells Like Teen Spirit”, “In Bloom”, “Lithium”, and “Come As You Are” ushered in a change in musical taste and made the late Kurt Cobain a legend.

14. Born in the U.S.A. (1984) by Bruce Springsteen – The Boss has made several solid records, but this is the one that made him a mega-star. It spawned seven Top 10 singles including the title track, “Dancing in the Dark”, “Cover Me”, Glory Days”, and “I’m on Fire”.

13. The Cars (1978) by The Cars – This debut album includes more hits than many bands have in an entire career. Songs on the disc include “Good Times Roll”, “My Best Friend’s Girl”, “Just What I Needed”, “You’re All I’ve Got Tonight”, and “Moving in Stereo”.

12. Boston (1976) by Boston – Seven of the eight tracks on this massive-selling disc are on almost constant classic rock radio rotation even today. Those songs include “More Than a Feeling”, “Peace of Mind”, “Foreplay/Long Time”, “Rock & Roll Band”, and “Smokin”.

11. Hysteria (1987) by Def Leppard – This is the first album to feature drummer Rick Allen after he lost an arm in a car crash, and the last to feature lead guitarist Steve Clark. Producer “Mutt” Lange came through yet again. This disc contains a slew of hits including “Pour Some Sugar on Me”, “Animal”, “Rocket”, “Women”, “Armageddon It”, and the title track.

10. Metallica (1991) by Metallica – While some of the band’s earliest fans might call this album a sellout, I still call it their very best. By slowing down their tempo, Metallica turned their metal sound into great songs like “Enter Sandman”, “Wherever I May Roam”, “Sad but True”, “The Unforgiven”, and “Nothing Else Matters”.

9. Hotel California (1976) by The Eagles – The Eagles lost bassist Randy Meisner, added guitarist Joe Walsh, and just kept getting better. For me, this is The Eagles' best album and best song (the title track). The disc also includes great tunes like “Life in the Fast Lane”, “Victim of Love”, “Wasted Time”, and “New Kid in Town”.

8. 1984 (1984) by Van Halen – The original lineup of Van Halen already had a cult following of hard rock fans, but 1984 marked the start of a more radio-friendly sound courtesy of Eddie Van Halen’s synthesizer chops and it gave them their biggest selling album. “Jump”, “Panama”, “Hot for Teacher” and “I’ll Wait” were all big hits. Too bad David Lee Roth and the rest of the band went their separate ways immediately afterward.

7. The Joshua Tree (1987) by U2 – U2 has released several great albums, but this is their best. Inspired by what this Irish band experienced while heavily touring America, this disc went on to win the Grammy for Album of the Year and it includes the hits “With or Without You”, “Where the Streets Have No Name”, and “I Still Haven’t Found What I’m Looking For”.

6. The Wall (1979) by Pink Floyd – This was an instant classic and the last Floyd album to feature Roger Waters. A concept album about personal isolation that also became a cult movie and a hugely successful stage show, the disc includes the hits “Another Brick in the Wall (Part II)”, “Hey You”, “Comfortably Numb”, and “Run Like Hell”.

5. Moving Pictures (1981) by Rush – Every music geek that was at least 10 years old when this album was released in 1981 must air drum to Neil Peart’s amazing solos on this album whenever they hear it. It’s a rule. Songs include “Tom Sawyer”, “Limelight”, “Red Barchetta”, “Vital Signs”, and the instrumental, “YYZ”.

4. Back in Black (1980) by AC/DC – Yet another “Mutt” Lange produced album (see a trend here?) this is the first to feature lead singer Brian Johnson who took over after the death of Bon Scott. It remains one of the best-selling albums of all-time and it includes the title track, “You Shook Me All Night Long”, “Hells Bells”, and “Rock and Roll Ain’t Noise Pollution”.

3. Purple (1994) by Stone Temple Pilots – It’s hard to top STP’s initial album, but the band did with this sophomore effort. While plenty of people will disagree with me ranking this one so high, I like every song on the disc including the well-known hits “Vasoline”, “Big Empty”, and “Interstate Love Song”. This collection of songs saw Scott Weiland, the DeLeo brothers, and Eric Kretz at the height of their powers and I never get tired of listening to them.

2. Van Halen (1978) by Van Halen – Van Halen’s long career started with this disc of pure hard-driving rock and roll. Featuring Eddie’s outstanding guitar work and Diamond Dave’s lead singer swagger, it includes the classics “Runnin’ with the Devil”, Jamie’s Cryin’”, “Ain’t Talkin’ ‘Bout Love”, their cover of “You Really Got Me” and the blistering instrumental “Eruption”.

1. Appetite for Destruction (1987) by Guns N Roses – And finally, the best rock album of the past 40 years, Guns N Roses’ debut Appetite for Destruction. “Welcome to the Jungle”, “Sweet Child o’ Mine”, “Paradise City”, and “Mr. Brownstone” are some of the standout tracks on this disc, but every song on the album rocks. Guns N Roses flamed out way too soon, but in the late 80s there was no one better

Since I know plenty of readers’ response will be “But what about…” here, in no particular order, are ten other discs that just missed the cut.

Ten (1991) by Pearl Jam
Crimes of Passion (1980) by Pat Benatar
Destroyer (1976) by Kiss
Slippery When Wet (1986) by Bon Jovi
The Ramones (1976) by The Ramones
Don’t Say No (1981) by Billy Squier
Whitesnake (1987) by Whitesnake
5150 (1986) by Van Halen
Vivid (1988) by Living Colour
Eliminator (1983) by ZZ Top





Sunday, August 23, 2015

Punk Fiction

Image Credit: Roberta Bayley


Yep, I’ve rebranded my blog. Gone is the generic Handle on Fiction. Going forward, I’m calling it riff. Why, you ask? That’s actually a bit deeper than just the cutesy acronym it’s got going for it.

riff (according to Merriam-Webster)
music : a short and usually repeated pattern of notes in a song
: a short set of comments on a particular subject

I caught the last three episodes of Dave Grohl’s HBO series, Foo Fighters: Sonic Highways last week and I was reminded again of what I see as the parallels between writing fiction and playing rock and roll. Anyone that reads this blog with any regularity knows that I absolutely love music. I remain convinced that I was born to be a rock star and simply took a wrong turn somewhere along the way. Writing has become my creative outlet instead.

The parallel became clearest to me during the seventh and eighth episodes of the series which focus on the music history of Seattle and New York City. Dave interviewed people involved in Seattle’s grunge scene of the 90s to talk about bands like Nirvana and the punk rockers of the 70s in NYC such as The Ramones. What all of them kept turning back to was that none of them made music back then with any real hope of financial success. They weren’t playing in garages and dingy clubs because they expected record deals or legions of fans. They simply played because they loved making music. Many of them weren’t particularly talented musicians either. They just had a passionate need to share their feelings and ideas through their songs.

This reminds me of the self-published authors of today. Sure, most of them aren’t very good. In fact, many are downright awful. But they love what they do. And the best of them have a raw sense of urgency, a sort of blue collar beauty that you just won’t often find in the pages of traditionally published literary fiction or the sterilized world of mass manufactured genre work. After all, the big publishing companies are businesses. By their nature, they need to focus on the bottom line. Experimentation doesn’t typically go over very well with stockholders.

So it’s typically left to the self-published and small press writers to push the boundaries. They can take chances with characters, narratives, styles and structures that other authors just can’t. No, it doesn’t always work, but it’s fun to try and once in a while, something truly special is the result.

So does my self-published work stand above the crowd? I’d like to think so, but ultimately that’s up to you, the reader, to decide. In between working on those longer pieces, I’ll keep riffing here on my blog, playing my own personal brand of rock and roll.








Monday, June 15, 2015

Why Jon Snow Had to Die

Photo Credit: HBO

First things first, the title is already enough of a spoiler. If you haven't read A Dance with Dragons or seen the final episode of Game of Thrones Season 5, stop reading now. The spoilers will only get worse.


Okay, now that's out of the way, let's talk about Jon Snow's final scene in both the fifth book of the series as well as the final episode of the fifth season of the show. Jon's been stabbed multiple times by his mutinous black brothers of the Night's Watch and he seems to be lying dead on the ground as his lifeblood stains the snow. Thus ends one of the most popular and certainly the most heroic of characters left in George R.R. Martin's mythical land of Westeros. Fans are outraged. Twitter is ablaze with the sort of fury typically reserved for when the bitchiest cast member of The Bachelor somehow manages to move onto the next round. How could HBO do this to us? Better yet, how could Mr. Martin do this to us? We've been such good and faithful followers of his/their work.

The answer is, they had to. Jon Snow had to die.

Hear me out on this. I have no more of a peek into the next book or season than you do. But I know where the story needs to take us if it's going to reach its full potential for mayhem and glory. The White Walkers and their wights need to overwhelm the Night's Watch and invade the lands south of The Wall. As long as they remain on their side of The Wall, the action is limited. The threat is relatively contained. If you follow this logic then you realize the Black Brothers are going to be defeated. Completely. And the White Walkers aren't the type to take prisoners. Not live ones anyway.

So if Jon Snow continues to be the heroic character we know and love (meaning he'd never abandon his men) and he wasn't killed by those same men, then his fate would have been to die to the Walkers instead. Not in a final climactic battle, but early on next season so the drama could continue to unfold as the evil from the north spread into the southlands. And that just isn't the sort of anti-climactic ending any of us want for Jon.

But he didn't deserve to die by treachery either, you cry! Well, perhaps not. But in death, he now has the power to be transformed much as Gregor Clegane becomes Robert Strong in both the books and the show as a result of Qyburn's necromancy. Much as Beric Dondarrion comes back from the dead repeatedly as a result of the healing power of R'hllor via the Red Priest, Thoros. And similar to how another certain character (who I won’t name since many of you probably haven't read the books) is brought back from the dead in the books yet not on the show.

Remember, like Thoros, Melisandre is also a powerful priest/priestess of The Lord of Light. Her champion, Stannis Baratheon, appears to be short one head thanks to Brienne and he's much too far away to revive. Now Melisandre has to find a new champion to fight “The Long Night” that is coming via the White Walker invasion. She's at The Wall, the scene of Jon's demise. Who do you think she'll choose? My money is on our favorite Lord Commander. Bringing him back from the dead just might give him the new lease on life he requires to defeat their common enemies. He'd no longer be bound by his vow or his misplaced loyalties. He'd finally be free to become the sort of badass Daenerys is going to need as a partner when she inevitably crosses the narrow sea to claim the throne.


I guess we'll just have to wait and see together. Like Book and Season 6, Winter is Coming!