There isn’t a whole lot on TV that I’m enjoying at the
moment, but at least one exception is the latest Star Wars offering on Disney+, Ahsoka.
This week’s fourth episode was the best so far and a large part of that success
is the increased focus on the villains. Now I’m not suggesting that the
collective girl power of the title character, her sidekick Sabine Wren, and her
ally Hera Syndulla doesn’t have its own appeal, but the best thing about the
show is the pair of villains, Baylan Skoll and Shin Hati. Recently deceased
actor Ray Stevenson brings a menacing dignity to Skoll and actress Ivanna Sakhno
delivers a ferocity to Skoll’s apprentice Hati that demands attention. It got
me thinking about the importance of a good villain in just about any
speculative story.
Stories, whether they’re short, novels, or screenplays tend
to focus on a main character who serves as the hero. He or she may not start
off as heroic, but over the course of their journey, they grow to become that
way. They rise to the challenge. What often sets apart a good story and a great
one is the quality of that challenge, the hero’s opponent. Who is Luke
Skywalker without Darth Vader? Clarice Starling without Hannibal Lecter? John
McClane without Hans Gruber?
I’ll go so far as to suggest we as an audience often root
for the villain. Not because we really believe they’re going to win, or even should,
but because they’re so fun to watch. I’ll freely admit that I much prefer Wile
E. Coyote to the Road Runner or Tom to Jerry. I’m happy for the Fellowship of
the Ring, but it bums me out that both Sauron and Gollum had to die in order
for them to succeed.
An intriguing villain often makes or breaks a story. It
doesn’t matter how much we love the hero, if that hero isn’t faced with an
equally great bad guy, the tale just falls a bit flat. As a writer, I try to keep
this in mind as I plan a story. Who is my hero up against? What is that villain’s
motivation? What sets apart that villain from your standard thug with a gun or
big muscles and a bad attitude? If I don’t spend as much time fleshing out that
villain as I do my protagonist, the result often suffers.
Sadly, the fact that Ray Stevenson died shortly before Ahsoka premiered means we won’t see more
of Baylan Skoll after Episode 8 next month no matter what series creator Dave
Filoni planned. I’ll miss the character, but the fallen Jedi’s quality and his lasting
impression is a fitting conclusion to the resume of an actor who stole more
than a few shows with his ability and charm.
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