Not many people know this, but there’s a good reason why my
debut novel Storm Orphans is so fast-paced, action-oriented, and graphic. It
was originally envisioned as a four-part comic book. A year or two before I
wrote the book that’s now available on Amazon, I wrote a 100+ page script for a
graphic novel and pursued an illustrator I could partner with on a sample. The
idea was that if we could put together an impressive half dozen pages, we might
find a good publishing deal to justify finishing the artwork.
Unfortunately, it was not to be. First, I learned the hard
way that finding a talented illustrator willing to work for little-to-no
up-front money is next to impossible. This of course isn’t a surprise, but it’s
still immensely frustrating for an unknown and broke (is there any other kind?)
writer who has a great story to tell but not the talent to draw it him/herself.
Illustrating is incredibly difficult and time-consuming work. Those that are
truly gifted at it are either in high-demand and therefore only willing to take
on the best paying and/or highest profile of gigs, or they’re trying to make a
living with what little paying work they can find while waiting to be
discovered.
I still hope to develop a comic book someday. The medium
seems well-suited to some of my ideas and I love seeing the characters and
scenes I’ve imagined brought to life in pen and ink. Seeing recent work by the
likes of William Gibson and Ta-Nehisi Coates just underlines how great the
graphic novel medium can be if done right. Until then, here’s a peek at some of
those lost drafts for Storm Orphans. I hope you enjoy them.
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